The Full Bookshelf
93 titles
All the World's Futures: 56th Venice Biennale
Edited by Okwui Enwezor (2015)
A landmark catalog from Enwezor's politically charged 2015 Biennale that confronted global capitalism and inequality.
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The Encyclopedic Palace: 55th Venice Biennale
Edited by Massimiliano Gioni (2013)
Inspired by Marino Auriti's imaginary museum, this catalog explores the desire to create universal knowledge systems.
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Venice Art Biennale 2024 Exhibition Guide
By Vici MacDonald (2024)
An essential companion for navigating the 60th Venice Biennale, with maps, pavilion locations, and artist information.
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Kochi-Muziris Biennale: Making Art Public
Edited by Natasha Ginwala (2022)
Documents India's leading contemporary art event and its transformative impact on Kochi's cultural landscape.
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The Biennial Reader
Edited by Elena Filipovic (2010)
A comprehensive anthology examining the biennial phenomenon through critical essays on cultural politics and globalization.
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La Biennale di Venezia: Art Exhibition 1895-2019
By La Biennale di Venezia (2019)
The definitive chronological history of the world's oldest biennial, documenting 125 years of exhibitions.
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Leonora Carrington: Revelation
By Joanna Moorhead (2023)
An intimate portrait of the surrealist artist whose dreamlike imagery and feminist mythologies inspired the 59th Venice Biennale.
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When We See Us: Black Figuration in Painting
Edited by Koyo Kouoh (2022)
A landmark exhibition catalog exploring how Black artists have reimagined figurative painting and challenged art historical narratives.
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Gwangju Biennale: Soft and Weak Like Water
Edited by Sook-Kyung Lee (2023)
Documents the 14th edition of Asia's leading biennale, exploring water as a metaphor for adaptability and resilience.
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Viva Arte Viva: 57th Venice Biennale
By Christine Macel (2017)
Curator Christine Macel's celebration of artists' creative freedom and the vital role of art in turbulent times.
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Documenta 14: Daybook
Edited by Quinn Latimer (2017)
A unique catalog structured as a daily reader for the exhibition held simultaneously in Athens and Kassel.
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Sharjah Biennial 15: Thinking Historically
Edited by Hoor Al Qasimi (2023)
Documents the late Okwui Enwezor's final curatorial vision, completed after his death, examining colonial legacies.
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Art After Money, Money After Art
By Max Haiven (2018)
A critical examination of the relationship between contemporary art and financial capitalism in the global art market.
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Stanley Whitney: The Italian Paintings
By Matthew Jeffrey Abrams (2022)
Explores the profound influence of Italy on Whitney's vibrant abstract paintings and his iconic grid compositions.
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Dorothea Tanning: Transformations
By Victoria Carruthers (2020)
A definitive study of Tanning's seven-decade career spanning surrealist painting, soft sculpture, and poetry.
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Liverpool Biennial: Beautiful World
Edited by Sally Tallant (2018)
Documents the 10th edition of the UK's largest contemporary art festival, exploring artists' responses to global turmoil.
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Documenta 13: 100 Notes 100 Thoughts
Ed. by Carolyn Christov-Bakargiev (2012)
A revolutionary series of notebook publications that expanded documenta beyond the exhibition format.
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Ruskin's Venice
By Sarah Quill (2015)
Explores John Ruskin's influential writings on Venice's architecture and his impact on how we understand its cultural significance.
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Broken Boxes: A Decade of Art, Action, and Dialogue
Edited by Ginger Dunnill (2023)
Chronicles a decade of projects centering Indigenous, Black, POC, LGBTQ+, and women artists at the intersection of art and activism.
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Whitney Biennial 2022: Quiet as It's Kept
Edited by David Breslin (2022)
Documents the influential 80th edition that examined American art during a time of profound social upheaval.
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Art Monsters: Unruly Bodies in Feminist Art
By Lauren Elkin (2023)
A provocative examination of how feminist artists have embraced monstrosity as a radical strategy to subvert conventional beauty norms.
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Raven Chacon: Hearing with the Body
Edited by Candice Hopkins (2023)
The first monograph on the Pulitzer Prize-winning Diné composer and sound artist, documenting his experimental work.
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Africa and the Exhibition of Contemporary Art
By Ugochukwu-Smooth C. Nzewi (2023)
A critical analysis of how contemporary African art has been framed through major exhibitions since the 1990s.
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New Surrealism: The Uncanny in Contemporary Painting
By Robert Zeller (2023)
Examines the resurgence of surrealist approaches in contemporary painting to address 21st-century anxieties.
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Marina Abramović: A Visual Biography
By Katya Tylevich (2023)
A visual journey through the pioneering performance artist's career, including her Golden Lion-winning work in Venice.
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Biennials: The Exhibitions We Love to Hate
By Rafal Niemojewski (2022)
A provocative critique of the global biennial phenomenon, examining its role in cultural tourism and city branding.
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Havana Biennial: Decolonizing Art
Edited by Jorge Fernandez Torres (2022)
Documents the 14th edition that has historically centered Global South perspectives and decolonial strategies.
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São Paulo Biennial: Turning Points
Edited by Jacopo Crivelli Visconti (2021)
Documents the 34th edition of the world's second-oldest biennial, examining moments of rupture and transformation.
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An Indigenous Present
Edited by Jeffrey Gibson (2024)
A landmark survey of contemporary Indigenous art practices across the Americas, Australia, and New Zealand.
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Latifa Echakhch: The Concert
By Latifa Echakhch (2022)
Documents Echakhch's immersive installation for the Swiss Pavilion at the 59th Venice Biennale.
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Fondazione: The Venice Biennale, 1895-2007
By Clarissa Ricci (2019)
A historical study of the Venice Biennale's institutional evolution from its 19th-century origins to a global platform.
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Curating as Ethics
By Jean-Paul Martinon (2020)
A philosophical examination of curatorial practice as an ethical undertaking, exploring responsibility to artists and audiences.
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Archive in Motion: documenta History
By Nanne Buurman (2018)
An essential text exploring the historical and archival significance of the documenta exhibitions.
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Istanbul Biennial: Seventh Continent
Edited by Nicolas Bourriaud (2019)
Catalog for the Istanbul Biennial, focusing on art's relationship to ecology and anthropology.
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Joan Jonas: They Come to Us Without a Word
By Joan Jonas (2015)
Documents the artist's exhibition for the U.S. Pavilion at the 56th Venice Biennale.
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The Culture of Curating and the Curating of Culture(s)
By Paul O'Neill (2012)
A foundational text on the history and theory of contemporary curatorial practice.
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Yokohama Triennale: Afterglow
Edited by Raqs Media Collective (2020)
Explores themes of care, light, and friendship in the catalog for the Yokohama Triennale.
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Sonia Boyce: Feeling Her Way
By Sonia Boyce (2022)
Documents the Golden Lion-winning exhibition for the British Pavilion at the 59th Venice Biennale.
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The Global Art World: Audiences, Markets, and Museums
By Hans Belting (2018)
An analysis of the complex dynamics shaping the contemporary global art landscape.
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Harald Szeemann: Museum of Obsessions
By Glenn Phillips (2018)
A deep dive into the archives and practice of the legendary and influential curator Harald Szeemann.
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Berlin Biennale: Still Present!
Edited by Kader Attia (2022)
The catalog for the 12th Berlin Biennale, focusing on decolonial perspectives and historical repair.
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Judith Baca: Memorias of Healing and Public Art
By Judith Baca (2022)
A survey of the artist's work at the intersection of public art, community, and social justice.
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Documenta 12 Catalogue
Edited by Roger M. Buergel (2007)
The comprehensive catalog for the 2007 edition of documenta in Kassel.
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ILLUMInations: 54th Venice Biennale
Edited by Bice Curiger (2011)
The catalog for the 2011 Venice Biennale, exploring themes of light, knowledge, and intuition.
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Busan Biennale: We, on the Rising Wave
Edited by Haeju Kim (2022)
The catalog for the Busan Biennale, centered on the city's history of migration and displacement.
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What Makes a Great Exhibition?
Edited by Paula Marincola (2015)
A collection of essays considering the various factors that contribute to a landmark exhibition.
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Manifesta 13 Marseille: Traits d'union.s
Edited by Manifesta 13 (2020)
Documents the European nomadic biennial's edition in Marseille, focusing on urban and social issues.
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Pavilion of Turkey at the 58th Venice Biennale
By İnci Eviner (2019)
A look at İnci Eviner's project for the Pavilion of Turkey at the Venice Biennale.
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Making Art Global: The Magiciens de la Terre
By Lucy Steeds (2013)
A critical re-examination of the landmark 1989 exhibition 'Magiciens de la Terre' in Paris.
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Yuki Kihara: Paradise Camp
By Yuki Kihara (2022)
Explores the artist's presentation for the New Zealand Pavilion at the 59th Venice Biennale.
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Kochi-Muziris Biennale: Whorled Explorations
Edited by Jitish Kallat (2016)
Catalog from an earlier edition of the influential Indian biennial, curated by artist Jitish Kallat.
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Exhibit A: Exhibitions That Transformed Architecture
By Eeva-Liisa Pelkonen (2018)
A study of how architectural exhibitions have shaped the discourse and practice of architecture.
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Making Worlds: 53rd Venice Biennale
Edited by Daniel Birnbaum (2009)
The official catalog of the 2009 Venice Biennale, focusing on the creative process and artistic production.
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Francis Alÿs: A Story of Negotiation
By Francis Alÿs (2015)
Explores three key projects by the artist, examining themes of politics, borders, and poetic action.
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National Pavilions in Venice
Edited by Marco Mulazzani (2014)
A detailed look at the history and architecture of the national pavilions in the Giardini of the Venice Biennale.
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Documenta 11 Platform 5: Exhibition
Edited by Okwui Enwezor (2002)
The catalog for the landmark Documenta 11, curated by Okwui Enwezor, which redefined the exhibition's global scope.
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Ibrahim Mahama: Vanishing Points
By Ibrahim Mahama (2023)
A survey of the Ghanaian artist's large-scale installations that engage with histories of labor and commodity.
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Think with the Senses, Feel with the Mind: 52nd Venice Biennale
Edited by Robert Storr (2007)
The catalog for the 2007 Venice Biennale, which emphasized the perceptual experience of art.
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How Institutions Think
Edited by Paul O'Neill (2017)
A collection of essays exploring the internal logics and structures of art institutions.
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Zineb Sedira: Dreams Have No Titles
By Zineb Sedira (2022)
Documents the artist's immersive film installation for the French Pavilion at the 59th Venice Biennale.
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The Curatorial: A Philosophy of Curating
Edited by Jean-Paul Martinon (2013)
An anthology of essays that delve into the philosophical underpinnings of the curatorial field.
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Bamako Encounters: Streams of Consciousness
Edited by Bonaventure Ndikung (2022)
The catalog for the renowned African biennial of photography in Bamako, Mali.
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Simryn Gill: Here art grows on trees
By Simryn Gill (2013)
Documents the artist's work for the Australian Pavilion at the 55th Venice Biennale.
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Cannibal Manifesto: Anthropophagy as Cultural Strategy
By Pedro Neves Marques (2023)
An exploration of the Brazilian concept of anthropophagy as a tool for postcolonial cultural production.
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Plateau of Humankind: 49th Venice Biennale
Edited by Harald Szeemann (2001)
The catalog for Harald Szeemann's second Venice Biennale, continuing his expansive curatorial vision.
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EVA International: Ireland's Biennial
Edited by Koyo Kouoh (2016)
The catalog for an edition of Ireland's Biennial curated by Koyo Kouoh, focusing on post-colonial themes.
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Jeremy Deller: English Magic
By Jeremy Deller (2013)
Explores the artist's exhibition for the British Pavilion at the 55th Venice Biennale, delving into British culture.
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Decolonizing Art Institutions
Edited by Johanna Gonçalves Martín (2022)
A collection of essays on the urgent need and practical strategies for decolonizing museums and art spaces.
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Venice Biennale: History and Prestige
By Clarissa Ricci (2019)
An academic study of the Venice Biennale's role in shaping cultural prestige and artistic careers.
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Dak'Art: The Biennial of Contemporary African Art
Edited by N'Goné Fall (2020)
A look at the long-running and influential biennial of contemporary art on the African continent.
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Curating Diversity
Edited by Nora Sternfeld (2022)
Examines the challenges and responsibilities of curating in a diverse and globalized art world.
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Documenta X Catalogue
Edited by Catherine David (1997)
The catalog for the politically and theoretically-driven Documenta X, curated by Catherine David.
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Asia Pacific Triennial of Contemporary Art
Edited by Zara Stanhope (2018)
A publication from the premier exhibition series focusing on contemporary art from Asia and the Pacific.
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Future, Present, Past: 47th Venice Biennale
Edited by Germano Celant (1997)
The catalog from the 1997 Venice Biennale, which marked a major survey of contemporary art at the time.
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Sarah Sze: Triple Point
By Sarah Sze (2013)
Documents the artist's intricate and sprawling installation for the U.S. Pavilion at the 55th Venice Biennale.
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Biennale of Sydney: NIRIN
Edited by Brook Andrew (2020)
The catalog for the artist- and First Nations-led Biennale of Sydney, focusing on sovereignty and collective healing.
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The Exhibitionist: Journal on Exhibition Making
Edited by Jens Hoffmann (2017)
A journal dedicated to the practice of exhibition making, featuring essays and contributions from leading curators.
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Prospect New Orleans: Prospect.5
Edited by Naima J. Keith (2022)
The catalog for the fifth edition of the New Orleans triennial, which explored the city's complex histories.
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Hans Ulrich Obrist: A Brief History of Curating
By Hans Ulrich Obrist (2011)
A collection of interviews with pioneering curators, tracing the evolution of the profession.
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Beyond the Black Square: 54th Venice Biennale
Edited by Boris Groys (2011)
A theoretical exploration accompanying the 54th Venice Biennale, meditating on Malevich and modernism.
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William Kentridge: Thick Time
By William Kentridge (2018)
A survey of the celebrated South African artist's work, focusing on his immersive installations and films.
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Riga International Biennial of Contemporary Art
Edited by Rebecca Lamarche-Vadel (2020)
The catalog for the RIBOCA biennial in Latvia, exploring themes of change and transformation.
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Ten Fundamental Questions of Curating
Edited by Jens Hoffmann (2013)
A concise exploration of the key questions and challenges that define contemporary curating.
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Martin Puryear: Liberty / Libertà
By Martin Puryear (2019)
Documents the sculptor's thoughtful and elegant exhibition for the U.S. Pavilion at the 58th Venice Biennale.
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Kathmandu Triennale: Ritualized Experience
Edited by Cosmin Costinas (2022)
The catalog for the triennial in Nepal, focusing on ritual, spirituality, and indigenous knowledge.
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Dreams and Conflicts: 50th Venice Biennale
Edited by Francesco Bonami (2003)
The catalog for the ambitious 2003 Venice Biennale, which featured multiple curators and exhibitions.
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Otobong Nkanga: To Dig a Hole That Collapses Again
By Otobong Nkanga (2018)
A survey of the artist's work, which explores the complex relationships between land, body, and resources.
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FRONT International Cleveland Triennial
Edited by Michelle Grabner (2018)
The catalog for the inaugural edition of the FRONT Triennial, exploring the identity of an American city.
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Curating Research
Edited by Paul O'Neill (2015)
Explores the ways in which curating can be a form of research and knowledge production.
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Lahore Biennale 02: Between the Sun and the Moon
Edited by Hoor Al Qasimi (2020)
The catalog for the second edition of the Lahore Biennale in Pakistan.
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Mark Bradford: Tomorrow Is Another Day
By Mark Bradford (2017)
Documents the artist's powerful exhibition for the U.S. Pavilion at the 57th Venice Biennale.
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dAPERTutto: 48th Venice Biennale
Edited by Harald Szeemann (1999)
The catalog for Harald Szeemann's first Venice Biennale as director, which opened the exhibition to a global stage.
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Art Cities of the Future: 21st-Century Avant-Gardes
By Antawan I. Byrd (2013)
A look at emerging art scenes and cultural centers around the world that are shaping the future of art.
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