Introduction

The Havana Biennial (Bienal de La Habana) is one of the most significant cultural events in Latin America and the Caribbean, providing a vital platform for contemporary art from the Global South. Founded in 1984, it was the first major biennial established to focus on artists from Latin America, Africa, Asia, and the Middle East.

Through its history, the Havana Biennial has challenged Eurocentric art narratives by prioritizing works that address social and political concerns from regions often marginalized in the global art world. The biennial maintains a strong focus on community engagement, public interventions, and the integration of art into the historic fabric of Havana.

Global South Socio-Political Art Decolonial Practices

Narrative & Themes

The Havana Biennial consistently engages with themes of cultural identity, post-colonialism, globalization, and social justice. As a biennial born during the height of the Cold War, it has maintained its commitment to providing a critical perspective on geopolitics and global economic structures.

Unlike many commercially-driven art events, the Havana Biennial emphasizes art as a tool for social discourse and transformation. Exhibitions often address urgent issues facing the Global South, including migration, environmental crisis, economic inequality, and cultural resistance to hegemonic power structures.

The biennial has broadened its scope in recent editions to include more diverse artistic practices, from traditional media to performance, public interventions, community-based projects, and digital works. It maintains a distinctive approach characterized by the integration of art into public spaces and historic sites throughout Havana.

History & Context

The inaugural Havana Biennial in 1984 was conceived by the Wifredo Lam Center for Contemporary Art as a forum specifically devoted to artists from Latin America and the Caribbean. Subsequent editions expanded to include artists from Africa, Asia, and the Middle East, establishing the biennial as a pivotal platform for the Global South.

Throughout its history, the biennial has operated within a complex political context, serving as a cultural bridge even during periods of international isolation. Its emphasis on south-south dialogues created alternative networks of artistic exchange outside the dominant centers of the art world.

1984

First Havana Biennial focuses on Latin American and Caribbean artists

1986

Second edition expands to include artists from Africa, Asia, and the Middle East

1994

Fifth Biennial, during Cuba's "Special Period," emphasizes art and survival

2012

11th edition focuses on "Artistic Practices and Social Imaginaries"

2019

13th edition, themed "The Construction of the Possible"

Exhibition Venues

The Havana Biennial is notable for its use of multiple venues throughout the city, including museums, galleries, historic buildings, and public spaces. This distributed approach transforms Havana itself into a comprehensive exhibition space, inviting residents and visitors to experience art in diverse contexts.

Key venues include the Wifredo Lam Center of Contemporary Art, the National Museum of Fine Arts, the Museo Nacional de Bellas Artes, historic fortresses like La Cabaña, and various cultural centers. Many projects extend into the streets, parks, and neighborhoods of Havana, emphasizing the biennial's commitment to public engagement and accessibility.

Venue Locations

The Havana Biennial takes place across numerous locations throughout the city, with the Wifredo Lam Center of Contemporary Art serving as its organizational hub.

Map of Havana Biennial Venues