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Miami Art Week 2026  /  People

Miami Art Week · November 30 to December 6, 2026

Miami Art Week 2026 · People

Who Runs the Week

The director, the dealers, the collectors, the judges, the city officials, and the people of Miami who do the work, with what they have said on the record.

Dec4–62026

Next edition

Art Basel Miami Beach

Opens Dec 4, 2026

The cast

A Fair Is a Cast List

A fair looks like a floor plan and behaves like a company of players. Art Basel Miami Beach has a director who used to rent a booth, a chief executive who wrote a book on the art market, and a curator borrowed from a museum in Düsseldorf.

Around them stand the dealers who pay for the walls and the collectors credited with bringing the Swiss to town. Behind those stand two groups a visitor rarely sees named: the juries that hand out the week’s prizes, and the city employees, hall crews, and art handlers who build the thing and take it down again.

The 2026 edition, on December 4–6, is a useful year to learn the names. The exhibitor list is shorter, the floor is about 12% smaller, and several people have changed seats. This page gives each a short profile with clippings to read further, then turns to the judges, the organizers, and the hosts. The mechanics of the fair are in the sector guide.

Profiles

The Twenty

The Fair

Bridget Finn

Director, Art Basel Miami Beach

Bridget Finn

A Detroit native trained at the College for Creative Studies, Finn worked at Anton Kern, co-founded the artist-run gallery Cleopatra’s, ran the contemporary program at Mitchell-Innes & Nash, and became a partner in the Detroit gallery Reyes | Finn, according to Art Basel and the Miami Herald. She is the first director of the fair to have been an exhibitor herself (Wikipedia). Her first move was cheaper small stands. Her third edition goes further: a main sector cut by about 10% and the largest galleries scattered across the floor. Watch how the quieter aisles between them behave on Friday.

“My lived experience as a dealer is ingrained into my approach.”
— to The Art Newspaper, July 9, 2024

Clippings: Art Basel Stories, the Robin Pogrebin profile, November 4, 2024; The Art Newspaper, smaller stands for less money, July 9, 2024; Artnet News, who is in and who is out, September 29, 2026.

Photo: James Jackman for Art Basel. Courtesy Art Basel.

Chief Executive Officer, Art Basel

Noah Horowitz

Born in Princeton in 1979, Horowitz took a doctorate at the Courtauld, turned it into Art of the Deal (2011), and ran The Armory Show before leading Art Basel in the Americas from 2015 to 2021. After a year at Sotheby’s he came back as chief executive in November 2022 (Wikipedia). The awards, the digital sector, and a fair in Qatar all date from his tenure. In Miami his name matters most off the floor: his company is across the table from the city in the convention center negotiation.

“There’s this extremely high brand recognition, but actually pretty little operational understanding of what Art Basel is.”
— to Time Sensitive, November 10, 2025

Clippings: Time Sensitive, Art Basel as a cultural force, November 10, 2025; Artnet’s Art Angle, keeping Art Basel on top, June 18, 2026; Artnet News, the galleries that dropped out, December 7, 2025.

Vincenzo de Bellis

Chief Artistic Officer, Art Basel

Vincenzo de Bellis

A Bard-trained curator who co-founded the Milan project space Peep-Hole, became the youngest director of the city’s fair, miart, in 2012, and then went to the Walker Art Center. He joined Art Basel in 2022 and was promoted in 2025 to oversee all five fairs, according to Hube and Art Basel. He designed the Art Basel Awards and chairs their jury. His night is Thursday, December 3, when the Gold Awardees are named.

“It’s about remapping the canon.”
— on the awards, to PIN-UP, December 2025

Clippings: Ocula, awards, exclusives and market optimism, June 17, 2026; Hube, the career interview, March 20, 2026; Whitewall, after the first awards night, December 13, 2025.

Photo: courtesy Art Basel.

Lead curator, Zero 10

Karen Archey

Archey edited at e-flux, co-curated Art Post-Internet in Beijing in 2014, and spent 2017 to 2025 as the Stedelijk Museum’s curator for time-based media. She now heads the curatorial department at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, where she recently staged an Anne Truitt survey. A museum curator is an unexpected choice for a fair’s digital sector, and that is the interest. Her exhibition, Generation, gathers 19 projects from 22 galleries and platforms on the Zero 10 floor.

Clippings: The Art Newspaper, A brush with Karen Archey, April 2, 2026; The Art Newspaper, the scaled-down floor plan, September 29, 2026.

Co-curator, Zero 10

Eli Scheinman

Scheinman studied political ecology, co-founded the NFT platform PROOF in 2021, and curated the first Zero 10 last December with 12 exhibitors, according to Hypebeast. His argument, that digital art belongs on the main floor and not in a side tent, won: the sector nearly doubled. He stays on beside Archey, and since September he has had a boss for the sector, Nicole Sales Giles, formerly head of digital art at Christie’s.

Clippings: Le Random, on amplifying the digital, December 3, 2025; Hypebeast, a new digital chapter, December 6, 2025; Art Basel Stories, the 2025 preview, November 10, 2025.

The Dealers

Fredric Snitzer Gallery, Miami

Fredric Snitzer

The senior Miami dealer, in business since 1977 and for years the only local gallery in the fair’s main sector. Snitzer is the scene’s least sentimental voice: at an Oolite Arts talk in 2024 he told artists that booths can cost more than $150,000 and that careers are made in studios. This year he shows in Galleries and, for the first time, in Zero 10, a new address for a gallery in its 49th year.

Clippings: Too Much Love Magazine, insights from Fredric Snitzer, December 1, 2024; the same talk on video, 2024.

David Castillo, Miami

David Castillo

Castillo opened in 2005. In 2018 his became the second local gallery, after Snitzer’s, admitted to the main sector, as Cultured reported. He has held the place since, one of seven Miami galleries on the 2025 floor by The Art Newspaper’s count. His advice to visitors is the most useful sentence on this page.

“Pace yourself. Art is about enjoyment and discovery. Trying to see everything is pointless.”
— to Cultured, December 2, 2023

Clippings: Cultured, David Castillo’s Miami, December 2, 2023; The Art Newspaper, the Miami galleries of 2025, December 2, 2025.

Nina Johnson, Little Haiti

Nina Johnson

Johnson ran her Little Haiti gallery for 18 years before her first Art Basel Miami Beach, in 2025, with the painter Patrick Dean Hubbell. The city then named him a finalist for its Legacy Purchase Program. She returns in 2026. Her gallery is the case for getting off the island at least once during the week.

“The Miami that I opened my gallery in 18 years ago is very different from the Miami that I sit in today.”
— to The Art Newspaper, December 2, 2025

Clippings: The Art Newspaper, ending the year on a high note, December 2, 2025; City of Miami Beach, the 2025 finalists, 2025.

Spinello Projects, Miami

Anthony Spinello

Brooklyn-born, in Miami since 2003, a gallerist since 2005 on a starting budget of $3,000, by Artsy’s account. For most of those years the fair’s main sector held one Miami gallery, then two. In 2026 Art Basel moves him from Nova to the main Galleries sector, a promotion two decades in coming. In 2024 the city bought a work from his booth, Nina Surel’s Allegory of Florida, through its Legacy Purchase.

“The community became my family. I grew up with Miami. I grew up with my artists.”
— to Artsy, November 28, 2025

Clippings: Artsy, twenty years of Spinello Projects, November 28, 2025; Art Basel, the 2026 exhibitor announcement, September 29, 2026.

Biennale

“It’s not a festival or a playground for aspiring artists. It’s a marketplace.”

— Fredric Snitzer, to Too Much Love Magazine, December 1, 2024

Profiles, continued

The Twenty, Continued

The Collectors

Don and Mera Rubell

Rubell Museum, Allapattah

Mera and Don Rubell

Married in 1964, the Rubells bought their first work a year later on a weekly installment plan, by the museum’s own account. The collection now counts more than 7,700 works by over 1,000 artists. It opened in a former DEA building in Wynwood in 1993 and moved to a 100,000-square-foot Allapattah campus in 2019. The family is credited with helping bring the fair to Miami Beach (Wikipedia). Their annual rehang is timed to the week.

“Twenty-six years into this, we now feel we’ve earned the privilege of calling ourselves a museum.”
— Mera Rubell, to The Art Newspaper, December 3, 2019

Clippings: Artsy, inside the Art Week rehang, December 3, 2024; The Art Newspaper, a new Miami art quarter, December 3, 2019; Spear’s, how the fair came to town, March 5, 2015.

Photo: courtesy Rubell Museum.

Collector, developer, El Espacio 23

Jorge M. Pérez

Born in Buenos Aires in 1949 to Cuban parents, Pérez arrived in Miami in 1968 and founded The Related Group in 1979. His 2011 gift of $35 million in cash and art put his name on the Pérez Art Museum Miami (Wikipedia). Since 2019 he has shown his own collection free at El Espacio 23, a 28,000-square-foot space in Allapattah. He is the rare patron whose name is on a public museum and who also runs a private one.

“We like to see the conversation between the new and the old.”
— to Axios Miami, December 3, 2025

Clippings: Axios Miami, El Espacio 23’s Art Week exhibition, December 3, 2025.

Margulies Collection at the Warehouse

Martin Z. Margulies

A real-estate developer who opened his 50,000-square-foot Wynwood warehouse in 1999 with the curator Katherine Hinds, two decades before the Rubells left the same neighborhood. His philanthropy has reached beyond art: in 2010 he gave $20 million to Lotus House in Miami. The Warehouse keeps a seasonal calendar, and the collection’s website gives November 4, 2026, for its reopening with new exhibitions.

“I only think of work I can afford.”
— to The Art Newspaper, December 7, 2019

Clippings: The Art Newspaper, inside the Margulies collection, December 7, 2019.

Collector, ICA Miami patron

Norman Braman

Born in Pennsylvania in 1932, Braman built a chain of car dealerships from 1972 and owned the Philadelphia Eagles from 1985 to 1994 (Wikipedia). With Irma Braman he paid for ICA Miami’s Design District building, which opened in December 2017 and charges nothing at the door. He is among those credited with bringing the fair to town, and he has never been shy about what it did for the place.

“I think this fair kick-started this entire economy here.”
— to Spear’s, March 5, 2015

Clippings: Spear’s, how Art Basel Miami Beach came to town, March 5, 2015.

The Curators and Museum Directors

Director, Pérez Art Museum Miami

Franklin Sirmans

Born in Queens, Sirmans edited at Flash Art, curated at the Menil Collection and LACMA, and directed the Prospect.3 biennial in New Orleans before taking over PAMM in October 2015, according to the museum. He holds two roles in December. His museum opens a Picasso, Klee, and Matisse loan show from the Museum Berggruen, and he is Miami’s one seat on the Art Basel Awards jury. His curators also choose what the museum acquires from NADA and SCOPE.

Clippings: PAMM, the appointment, September 4, 2015; Hyperallergic, free admission for public school students, March 22, 2018; Art Basel, the 2026 awards dossier, April 2026.

Artistic Director, ICA Miami

Alex Gartenfeld

Gartenfeld has led the free-admission ICA Miami since its founding and co-curated the 2018 New Museum Triennial along the way. In October 2024 the museum bought the former de la Cruz Collection building for $25 million, adding 30,000 square feet, as WLRN reported. His openings set the tone on the Tuesday of the week: this year Carroll Dunham and Diego Singh, both from December 1.

“We’re just excited to amplify. No anxieties.”
— to Artnet News, December 4, 2024

Clippings: Artnet News, expansion, not anxiety, December 4, 2024; WLRN, the $25 million building, October 16, 2024; ArtTactic Podcast, growth and community.

Executive Director, The Bass

Silvia Karman Cubiñá

Cubiñá still runs The Bass, but no longer as its chief curator. In June the museum named Philippe Vergne to a new post, artistic director and chief curator, while adding 2,500 square feet of gallery space, as World Red Eye reported. This is the first Art Week under the split. The museum’s free community day has fallen on the fair’s closing Sunday.

Clippings: World Red Eye, a new artistic director role, June 2026; The Bass, the 2026–27 season, 2026.

The Artists

Artist, outdoor project

James Turrell

Born in Los Angeles in 1943 and trained in perceptual psychology at Pomona, Turrell has owned Roden Crater in Arizona since 1979 (Wikipedia). His medium is light and the patience required to see it. Art Basel says the Turrell Art Foundation, with Pace Gallery, will unveil a new body of work outdoors, free to the public. Site and dates: Not yet announced

Clippings: Art Basel, the 2026 announcement, September 29, 2026.

Artist, Zero 10 in 2025

Beeple

Mike Winkelmann, born in 1981 and raised in Wisconsin, became a market fact in March 2021 when Christie’s sold his Everydays for $69.4 million (Wikipedia). His robot dogs, wearing silicone heads of Musk, Bezos, Zuckerberg, Picasso, Warhol, and himself, photographed visitors and dispensed prints. They were the most discussed objects of 2025, priced at $100,000 each, and went on to the Neue Nationalgalerie in Berlin this spring.

“We’re increasingly going to view the world through AI.”
— to The Art Newspaper, December 4, 2025

Clippings: The Art Newspaper, the robot dogs, December 4, 2025; Ocula, the dogs head to Berlin, March 12, 2026.

The City

Developer, Miami Design District

Craig Robins

Born in Miami Beach in 1963, Robins took a law degree at the University of Miami and founded Dacra, the company behind the Design District, in the same year, 1987. He co-founded Design Miami in 2005, gave more than 200 works to PAMM in 2013 with Jackie Soffer, and helped fund ICA Miami’s purchase of the de la Cruz building (Wikipedia). Design Miami, the fair he started, now sits beside the convention center each December.

Clippings: FIU ArtSpeak, a video conversation in 16 parts, November 9, 2016.

Founder, The ReefLine

Ximena Caminos

An Argentine-born curator building a seven-mile underwater sculpture park and artificial reef off Miami Beach, master-planned by OMA’s Shohei Shigematsu and backed by a $5 million bond that voters approved in 2022. Its first work, 22 concrete cars by Leandro Erlich, went down in October 2025, the Smithsonian reported. It is the one Art Week attraction that requires a snorkel.

Clippings: Smithsonian, the underwater installation, November 18, 2025; CBS Sunday Morning, art on Miami’s coastline, May 24, 2026.

The collectors and their museums, in depth

Who decides

The Judges

Miami Art Week hands out more prizes than most visitors notice, and almost none of them is decided the same way. A jury of museum directors picks one list. A city board and an online ballot pick another. Several are decided by a single curator walking a fair with a budget.

The Art Basel Awards Jury

The most elaborate prize of the week is Art Basel’s own, now in its second year. By the fair’s account, each cycle begins with anonymous nominations from across the field. A jury of international museum leaders, chaired by Vincenzo de Bellis, then selects 33 Medalists in nine categories. The Medalists themselves vote for the Gold Awardees, who are named on Thursday, December 3, at New World Center. Gold Awards in the artist categories carry more than $250,000 a year in support, taken together.

The jurors Art Basel lists for 2026 are Hans Ulrich Obrist of the Serpentine in London; Adriano Pedrosa of the São Paulo Museum of Art; Elena Filipovic of the Kunstmuseum Basel; Franklin Sirmans of the Pérez Art Museum Miami; Jessica Morgan of the Dia Art Foundation; Hoor Al-Qasimi of the Sharjah Art Foundation; Philip Tinari of UCCA in Beijing; Suhanya Raffel of M+ in Hong Kong; and Bonaventure Soh Bejeng Ndikung of Berlin’s Haus der Kulturen der Welt, who is new this year. Sirmans is the only juror based in the host city. None of the 33 Medalists is identified as Miami-based.

The Dealers Who Judge Dealers

The decision that shapes the fair most is not a prize. It is admission. Art Basel’s selection committees are made up of working gallerists, most of whom serve five to ten years, and every exhibitor must reapply each year, as the fair explains. The Miami Beach committee for 2026 has seven members: Márcio Botner of A Gentil Carioca, Philippe Charpentier of mor charpentier, Thiago Gomide of Gomide&Co., Steve Henry of Paula Cooper Gallery, Wendy Olsoff of P.P.O.W, Nicole Russo of Chapter NY, and Susanne Vielmetter of Vielmetter Los Angeles. Three more dealers advise on Nova and Positions: Jeremy Epstein of Edel Assanti, Leopol Mones Cazón of Isla Flotante, and Nicola Vassell.

The City’s Ballot

Miami Beach is the only juror that opens its vote to the public. Under the Legacy Purchase Program, begun in 2019, the city’s Art in Public Places Committee shortlists three works from the fair, the public votes online, and the city buys the winner for the convention center. In 2025 the vote went to a work by the Peruvian artist Ximena Garrido-Lecca, shown by Livia Benavides, the city announced on December 3. The price was not disclosed.

Prizes and selections of Miami Art Week. Details are for 2026 where published and otherwise for the most recent edition, as marked. Juries change yearly.
PrizeWho decidesWhat is wonWhen
Art Basel Awards, MedalistsJury of nine museum leaders, chaired by Vincenzo de Bellis, from anonymous nominationsOne of 33 medals in nine categoriesNamed April 2026
Art Basel Awards, GoldThe 33 Medalists, by peer voteFor artists, a share of more than $250,000 a year in flexible supportDecember 3, 2026, New World Center
BOSS Award for Outstanding AchievementNot stated in the sources read UnconfirmedWent to Meriem Bennani in 2025Awards night
A booth at Art Basel Miami BeachSelection committee of seven dealers, plus three experts for Nova and PositionsA place among 272 exhibitorsList published September 29, 2026
Legacy Purchase Program, City of Miami BeachArt in Public Places Committee picks three finalists; the public votes onlinePurchase for the convention center collection. 2025: Ximena Garrido-Lecca2025 winner named December 3. 2026 finalists: Not yet announced
CPGA–Villa Albertine Étant donnés Prize, at Art Basel2025 jury of five: Lena Baume, Celia Birbragher, Rodolphe Blavy, Cathleen Chaffee of the Buffalo AKG, Catherine Petitgas$15,000 shared by a living French or France-based artist and the gallery. 2025: Kelly Sinnapah Mary and James CohanAnnounced at the fair, December 4, 2025. 2026 jury: Not yet announced
NADA Acquisition Gift for PAMMPAMM curators. In 2025: Jennifer Inacio, Maritza M. Lacayo, Fabiana SotilloWorks bought for the museum from a fund fed by ticket sales, doubled to $20,000 in 2025 by the Knight Foundation. Three works that yearDuring the fair. The ninth gift is due in 2026
SCOPE Art Show PAMM PrizeIn 2025, José Carlos Diaz, PAMM’s chief curatorAcquisition by the museum. 2025: two sculptures by the Miami artist Daniel OchoaDuring the fair. Status under the renamed InScope: Unconfirmed
Untitled Art prizesEach partner chooses. In 2024 the 21c Museum Hotels prize was picked by founders Laura Lee Brown and Steve Wilson with chief curator Alice Gray StitesAcquisitions and residencies (2024: 21c, Pardon Collection, Fountainhead, CAMPO, Last Resort, CCA Andratx)2025 and 2026 lists were not found Unconfirmed
Design Miami awardsJury not named in the report read2025: Galerie Signé (Best New Voice), Friends Artspace (Best Thematic Expression), Jorge Lizarazo (Best Contemporary Work), Superhouse (Best Curio)Reported December 5, 2025
No Vacancy, Miami BeachJuried prize: in 2025, Chana Budgazad Sheldon of MOCA North Miami and Natalia Zuluaga of the Frost Art Museum. Public prize: online vote$25,000 juried, $10,000 public. 2025: Nathalie Alfonso and Denise Treizman2026 edition runs November 12 to December 19
The Ellies, Oolite Arts, with the Michael Richards AwardTwo panels of jurors from institutions outside Miami: six for the Creator awards, three for lifetime achievement$75,000 for lifetime achievement. 2026: Roberto Behar and Rosario Marquardt. $425,000 in direct support overallApril 22, 2026. Not an Art Week prize, but it funds much of what local artists show in December
Art Miami Lifetime Visionary AwardThe fair2026: Shepard FaireyArt Miami opens December 1

What could not be found: any 2026 jury for the Étant donnés prize, any prize given in Art Week by PAMM or ICA Miami in their own names, and the judges of the booth awards at Red Dot and Spectrum, whose organizer lists categories but not jurors. The 33 medalists are listed in Art Basel’s dossier.

City Hall and the fair offices

Who Puts the Week Together

No single person runs Miami Art Week. The week is the sum of one large fair, more than a dozen smaller ones, three governments, and a convention center managed by a private company.

The short answer to the question of who is in charge on the island is two men: Mayor Steven Meiner, who chairs the commission that must approve any deal with the fair, and City Manager Eric Carpenter, who negotiates it and directs the staff. The politics of that relationship, including the lease that expires this year, are on the host city page. What follows is who does what.

The City and the County

Steven Meiner

Mayor, City of Miami Beach

Steven Meiner

The city’s 39th mayor, a former enforcement attorney at the Securities and Exchange Commission who sat on the commission from 2019, won a runoff in November 2023, and was re-elected in November 2025, according to his official biography. He is the public face of the week and a vocal backer of its free water taxi.

Photo: City of Miami Beach.

Eric T. Carpenter

City Manager, Miami Beach

Eric T. Carpenter

A civil engineer who joined the city as public works director in 2013 and was appointed manager in July 2024. He leads more than 2,300 employees across some two dozen departments, and the Miami Herald names him as the city’s negotiator with Art Basel.

Photo: City of Miami Beach.

Wayne A. Jones

Chief of Police, Miami Beach

Wayne A. Jones

The department’s 21st chief, in the post since September 1, 2023, after 27 years in its ranks, by his city biography. In 2025 his officers staffed the blocks around the hall from Wednesday to Sunday. The number assigned to the week is not published.

Photo: City of Miami Beach.

Interim Director, Tourism and Culture

Francys Vallecillo

Leads the Miami Beach department that writes the special-event permits for every tent on the sand and houses the public art program. Fernando Pestana is interim assistant director. The dates of both interim appointments were not found.

General Manager, Miami Beach Convention Center

Freddie Peterson

Runs the hall for Oak View Group, which has operated it for 12 years and whose contract the city renewed in April 2025. His building supplies the floor, the power, the catering, and the union stage crews. He credited the renewal to the building’s staff.

Daniella Levine Cava

Mayor, Miami-Dade County

Daniella Levine Cava

A lawyer and social worker who founded the nonprofit Catalyst Miami in 1996, was elected the county’s first woman mayor in 2020, and was re-elected in 2024, by her county biography. The county runs the airport, the buses, and the cultural grants that keep local institutions open the other 51 weeks.

Photo: Miami-Dade County.

David Whitaker

President and CEO, Greater Miami CVB

David Whitaker

Heads the tourism bureau that sells the week to the world. He was its marketing chief from 1990 to 2007, ran the bureaus of Toronto and Chicago, and returned in August 2021, as TravelPulse reported. The bureau partnered on the first Art Basel Awards and funds a public art prize.

Photo: Greater Miami Convention & Visitors Bureau.

Art Basel, New York and Miami Beach

The Americas Desk

Art Basel’s staff list names the people behind Finn: Maureen Bruckmayr, head of business and management for the Americas, whose email to the city is quoted in the lease reporting; Reece Rahilly, who leads gallery relations; Dominik Schwab, operations and logistics; Olivia Cuissart de Grelle, VIP relations; and May Mansour, communications.

The Other Fairs

Who runs the satellite fairs. Titles are as given by each organizer or the outlet linked; dates for 2026 are from organizer and listings pages and should be confirmed with the organizer.
FairWho runs it2026
Untitled ArtJeffrey Lawson, founder (2012); Clara Andrade Pereira, executive director; Lauren Pollock, head of VIP relations15th edition, December 2–6, Ocean Drive and 12th Street
NADA MiamiHeather Hubbs, executive director of the New Art Dealers Alliance, appointed after its first Miami fair in 200324th edition, December 1–5, Ice Palace Studios
Design MiamiJen Roberts, chief executive; Charlene Prempeh, curatorial director for 2026December 1–6, beside the convention center
Art Miami, CONTEXT, AquaNick Korniloff, director since 2008, per OculaArt Miami and CONTEXT December 1–6, One Herald Plaza; Aqua December 2–6
InScope, from SCOPEMatt Middleton, co-founder and chief executive; Alexis Hubshman, SCOPE’s founder; Hayley River Smith, directorDecember 1–6, Ocean Drive and 8th Street
Pinta MiamiDiego Costa Peuser, founder and global director of Pinta GroupThe Hangar, Coconut Grove. The fair’s pages give both December 2 and 3 as opening day
PrizmMikhaile Solomon, founder, a Miami native; 13 seasons by 2025Dates: Not yet announced
Red Dot and SpectrumEric Smith, president, Redwood Art GroupDecember 2–6, Mana Wynwood
INK MiamiOrganized with the International Fine Print Dealers Association; a named director was not found UnconfirmedDecember 2–6

One more name circulates: “Miami Art Week” is also the title of a separate promoter whose president, Meredith Aziz, told CBS Miami last December that its focus is artists who cannot afford the larger shows. It is one more organizer, not a coordinator of the fairs above.

The full City Hall who’s who, and the lease

For the people of Miami and Miami Beach, who spend a year getting ready for six days, and then tidy up.

— Biennale, with thanks

A dedication

The People of Miami

Every profile above belongs to someone whose name appears on an invitation. This section is for the people whose names do not, and without whom there would be nothing to be invited to.

The week is usually described by its visitors: more than 80,000 at the fair last year, by Art Basel’s count. It is made by residents. Someone hangs each work on the convention center’s walls, and the same someone takes it down on Sunday night while the collectors are at the airport. Someone drives the trolley until midnight. Someone remakes the hotel room, pours the coffee in Wynwood at seven, and pilots the boat across the bay.

It is fair to say plainly that the city does this well. The fair first opened here in 2002. Since then the city has learned to move crowds by water, to raise tents on a beach just after turtle nesting season ends, and to open a museum free on the fair’s last day. The preparation is year-round: the city’s permit deadline for this December passed in August.

A tribute should be honest about the terms. The work is long and much of it is modestly paid. A hotel room attendant in Miami earns about $16.75 an hour, WLRN reported in May 2025, in one of the least affordable rental markets in the country. Rooms on Miami Beach sell for close to $590 a night during the fair. The people who make the week hospitable mostly cannot afford to attend it as guests. They host it anyway.

This guide looked for the numbers that would do them justice: jobs supported, hours worked, crates moved. Few have been published, and none are invented here. What exists are a handful of reported glimpses, collected below, each from a named source. A visitor’s part is simple. Tip as if the week depended on it, learn a name, and say thank you in whichever of the city’s languages comes to hand.

7 am–1 amAn installer’s day during the fair build, as handlers described it to The Art Newspaper in 2018
88%Typical Miami Beach hotel occupancy during the fair (CoStar, via Miami Today)
7Free water taxis the city ran across the bay in Art Week 2025
$16.75Approximate hourly pay of a Miami hotel room attendant (WLRN, May 2025)

Six Glimpses of the Work

The installers

A Drill and a Long Day

In 2018 The Art Newspaper followed the handlers who hang the fair. Planning starts in August. Installation days ran from 7 am to as late as 1 am, with two or three handlers to a booth, and breakdown lasted into the following Tuesday. Darren Prince, a lead handler at Museo Vault, named his essential tool.

“The most useful tool in my kit is the handheld cordless drill.”

The day after

What Sunday Night Looks Like

The same report asked Eugene Layton, who managed operations in Miami for the shipper Gander & White, how his crew feels when the last crate is sealed. A pseudonymous handler’s diary on Two Coats of Paint in 2015 put the rate at $25 an hour for 13-hour days. That figure rests on one unnamed writer. Unconfirmed

“We become very zombie-like after the fair.”

The hall

Union Crews, House Kitchen

The convention center’s own rules require that all staging, production, and audio-visual work be done by union labor, from IATSE Local 500 and the IBEW. Catering is by Sodexo Live. The same operator has run the building for 12 years.

The counter

The Busiest Week at Panther

Panther Coffee opened in Wynwood during Art Basel 2010 and has grown up with the week. Leticia Pollock of Panther told NBC 6 in November 2022 that sales had risen 53% during the previous Art Week.

“It’s definitely our busiest and best sales week of the year.”

The boat crews

From Pilot to Daily Service

For Art Week 2025 the city ran up to seven free water taxis, about 50 passengers each, between Sunset Harbour and the Miami side from 10 am to midnight, Miami Today reported. It worked well enough that a year-round weekday service began on January 20, 2026, on a budget just under $1.2 million, according to Miami New Times. An Art Week convenience became a commuter line.

The studios and the schools

Open Doors

On the Saturday of the 2025 fair, the resident artists of Oolite Arts opened their Lincoln Road studios over brunch. PAMM has admitted every Miami-Dade public school student free, with an adult, since 2018, Hyperallergic reported. And the week still makes room for first-timers: Iryna Turliai, an IT consultant who paints with Miami Beach sand, showed for the first time last year and spoke to CBS Miami.

“It feels like I belong here.”

Not found in any source read for this page, and so not told here: stories of the Ocean Rescue lifeguards, of volunteers and student docents at the fairs, of trolley and rideshare drivers, or of the sanitation crews. They are owed a reporter. If you are one of them, or know one, write to contact@biennale.nyc.

Getting around the way residents do

Human stories

Four Ways In

Twenty Years to the Main Floor

Anthony Spinello left Brooklyn and the School of Visual Arts for Miami in 2003. Two years later he opened Spinello Projects with $3,000, according to Artsy’s profile, published as the gallery turned 20. For most of that time the fair’s main sector held one local gallery, Fredric Snitzer’s, and from 2018 a second, David Castillo’s. Spinello showed in Nova. On September 29 Art Basel moved him up. In December his name sits in the Galleries sector with Gagosian and Hauser & Wirth, one of six South Florida galleries named in the announcement. Artsy’s headline credits him with showing that Miami is more than its art week. The promotion arrives during it.

From Havana, by Way of Madrid

Christian Gundín founded El Apartamento in Havana in 2015. A Madrid space followed in 2023 and a Miami one in 2025, the year Art Basel billed it in its press dossier as “the first Cuban gallery founded on the island to participate.” The 2026 announcement describes it as the first Cuban gallery in the main Galleries sector. That is 11 years from Havana to the same sector as David Zwirner and White Cube, by way of two other cities. The gallery’s entry is in Art Basel’s catalog.

The Arithmetic of a Booth

Booths at the 2025 fair ran from $11,000 in Positions to $199,040 in the main sector, Artnet News reported. One dealer gave the outlet a worked example: $65,000 for the booth, $10,000 for shipping, $6,000 for hotels, $5,000 for lighting, and a total above $105,500, which meant selling about $211,000 of art to break even. The pressure has not lifted. In 2025, 14 of the galleries announced in July withdrew before December, Artnet found, and one that closed had a $22,000 cancellation fee waived. More on the sums is in Market Realities.

The Collection That Closed

Rosa de la Cruz died in early 2024, aged 81. For 15 years her collection, about 1,000 works, had been open free in the Design District. It closed, and the art went to Christie’s with a $30 million estimate, as WLRN and the Miami Herald reported; the first sale made $34 million. The sale raised concerns in the Miami art world, Hyperallergic reported. That October, ICA Miami bought the building for $25 million. Whether the expansion has opened could not be confirmed for this guide. The collection itself is dispersed.

Read and listen

The Interviews

Twelve conversations that repay the time, newest first. Where a line is quoted, it comes from the piece linked beside it.

Interviews with the people of Art Basel Miami Beach, 2024 to 2026. Dates are publication dates.
WhoOutlet and dateWhy it mattersA line
Bridget FinnArtnet News, September 29, 2026The director explains the cut in exhibitors and floor space.“People are being more reflective and planning more in terms of what they want to project about their business and their artists.”
Noah HorowitzArtnet’s Art Angle, June 18, 2026 (audio)The chief executive on keeping Art Basel on top.Audio only.
Vincenzo de BellisOcula, June 17, 2026On the Gallery Legacy Award and why fairs need young galleries.“A gallery is mainly a place where you sell and buy art, but we all know that it’s more than that.”
Jen RobertsMonocle, May 27, 2026Design Miami’s chief executive on how to start collecting design.“The best thing to do is to look at what appeals to you, then start asking questions.”
Vincenzo de BellisHube Magazine, March 20, 2026The career interview, from Milan’s miart to the top artistic job.“Art Basel should not only mirror the art world but actively help shape its present and its future.”
Finn, Horowitz, and departing dealersArtnet News, December 7, 2025Katya Kazakina’s reporting on the galleries that withdrew in 2025.“I’m not stepping back from the fact that we’ve had some attrition.” (Finn)
Eli ScheinmanLe Random, December 3, 2025The long case for putting digital art on the main floor.“These artists and galleries should be viewed, as they are in reality, as critical contributors to the contemporary art world at large.”
Noah HorowitzTime Sensitive, November 10, 2025 (podcast)How a Swiss fair became a global platform.“Art Basel has this ability to both put its thumb on whatever’s hot and what’s in the moment, but also time slows down.”
Finn, Yasmil Raymond, ScheinmanArt Basel Stories, November 10, 2025The fair’s own three-way preview of 2025.“Accessibility doesn’t mean simplification; it’s about making complexity navigable and inviting rather than opaque.” (Finn)
Mera RubellArtsy, December 3, 2024A walk through the museum’s annual rehang.“The good thing is that more artists can make a living from art. The bad thing is that it becomes very commercial and opportunistic.”
Fredric SnitzerToo Much Love Magazine, December 1, 2024Blunt advice to artists, with booth costs.“Your work is not going to get noticed on the floor. It gets noticed in the studio.”
Bridget FinnArt Basel Stories, November 4, 2024Robin Pogrebin’s profile before Finn’s first edition, from Detroit to the director’s office.“If you’re a young person working for a gallery, you feel included.”

On the record

Best Lines of the Fair

The run-up to 2026 first, then last December, then the lines that have outlived their editions.

“The goal is to make a more focused, better paced show.”

— Bridget Finn, to Artnet News, September 29, 2026

“There’s no future of the art world without the gallery world or without a new generation of galleries.”

— Vincenzo de Bellis, to Ocula, June 17, 2026

“NADA’s fairs are the most visible expression of a peer community that runs year-round.”

— Heather Hubbs, in NADA’s introduction to the 2026 fair

“Christmas came early.”

— Marc Payot, Hauser & Wirth, to Artnet News, December 2025

“My attendance was like a violinist playing as the Titanic sank.”

— An unnamed advisor, to Artnet News, December 2025

“Let’s celebrate the ones who said no to easy, and yes to hard work.”

— Swizz Beatz, hosting the Art Basel Awards, reported by Artnet News, December 2025

“Miami is like the best of 10 worlds! I love it here.”

— Jack Pierson, to Artnet News, December 2025

“Every collector needs to realize you can’t take it with you.”

— Rosa de la Cruz, quoted by WLRN and the Miami Herald, April 4, 2024

“He did not destroy the art work. The banana is the idea.”

— Lucien Terras, Galerie Perrotin, on the eating of Comedian, to NBC News, 2019

“They thought, ‘Oh, we don’t need another schlocky art fair.’”

— Mera Rubell, on Miami’s first reaction, to Spear’s, March 5, 2015

“We have never seen more Latin American collectors in Basel than since Art Basel came to Miami Beach.”

— Marc Spiegler, to Ocula, 2015

“The market is a combination of many, many things. It’s a magic mushroom…it’s a place to support junkie-like behaviour in public.”

— Jerry Saltz, at a fair panel, reported by The Art Newspaper, December 1, 2012

“The frenzy was all they had. They didn’t have five senses; they had one, the urge, and the urge was all they felt.”

— Tom Wolfe, Back to Blood, 2012, on collectors at the VIP opening, excerpted by WLRN

The 2025 edition

Seen at the Fair, 2025

What follows is last year, as reported by the outlets named. Most of it happened at brand dinners and parties around the fair; no named sighting on the fair floor itself in 2025 could be verified for this guide. Sightings for 2026 will be added here during the week.

Miami Art Week, December 2025. Each row is a published report, not a Biennale observation.
WhoWhereReported by
Rihanna, A$AP Rocky, Evan MockRay-Ban Clubhouse, Carl Fisher ClubhouseW Magazine
Diana Ross, Shay Mitchell, Es DevlinAlex Prager’s Mirage FactoryW Magazine
Hans Ulrich Obrist, Bettina Korek, Jewel, Hank Willis ThomasSerpentine Americas Foundation brunch, Casa TuaW Magazine
Mickalene Thomas, Kennedy Yanko, Shinique SmithBMW and The Cultivist lunch, 1 HotelW Magazine
50 Cent, DiploHublot anniversary party, Miami Beach EDITIONW Magazine
Two of the HAIM sisters, KeshaGoogle Shopping dinner for Lauren Halsey, Matador RoomForbes
Karlie Kloss, Grace Van PattenThe “Into The Wild” dinner, December 1L’Officiel USA
Travis Scott, Ice Spice, Ellie GouldingNylon HouseMiami New Times
Swizz Beatz, Ellen von Unwerth, Don and Mera Rubell, BeepleArt Basel Awards night, New World CenterArtnet News

For 2026, no performers, DJs, or hosts had been named in any source read by October 5. The people announced so far are artists. The parties page tracks the rest.

2026

What to Look For

  • A new post at Zero 10. Nicole Sales Giles joined Art Basel in September as the first Global Head of Zero 10. She comes from Christie’s, where she led digital art, The Art Newspaper reported. Archey curates; Scheinman is styled co-curator on the sector page and strategic advisor in the release.
  • Galleries changing sector. Spinello Projects and Piero Atchugarry Gallery both advance to the main Galleries sector, according to Art Basel. Fredric Snitzer adds a Zero 10 presentation.
  • The empty seats. Kurimanzutto, Night Gallery, and Gallery Wendi Norris are absent, by both Artnet’s count and The Art Newspaper’s; the two lists differ beyond those names. Alison Jacques and Edward Tyler Nahem, who withdrew in 2025, return.
  • First flags. More than 30 galleries are new, and five countries appear for the first time: The Bahamas (TERN Gallery, Nassau), Estonia, Georgia, Ghana, and Hungary.
  • Two voices at The Bass. Art Week is the first with Philippe Vergne as artistic director and chief curator beside Cubiñá.
  • Awards night. On Thursday, December 3, at New World Center, the 33 medalists learn which of them their peers voted Gold. Barbara Kruger, Howardena Pindell, and Jenny Holzer contest the Icon Artist category. The local juror is Franklin Sirmans.
  • The city’s ballot. The three finalists for the 2026 Legacy Purchase had not been named by October 5. In 2025 the online vote ran for four days in late November.
  • The lease. The agreement that puts the fair in the convention center expires this year. No approval of a new one had been reported by October 5. The terms on the table.

Sources. Profiles and quotations on this page were compiled on October 5, 2026, from the publications linked beside them. Quotations are given as published by the outlet named; biographical facts marked Wikipedia rest on that source alone. Portraits come only from the subject’s own institution or government and are credited in each card. Main sources: Art Basel’s 2026 announcement; Art Basel Awards medalist dossier; Art Basel’s team page; the official pages of the City of Miami Beach and Miami-Dade County; the Greater Miami Convention & Visitors Bureau; the Miami Beach Convention Center; Pérez Art Museum Miami; Villa Albertine; Oolite Arts; The Art Newspaper; Artnet News; Artsy; Ocula; Spear’s; WLRN; Miami Today; W Magazine; Forbes; Miami New Times. Corrections: contact@biennale.nyc.